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An Introduction To Trout Quartet


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Produktinformation
Artikelnummer 8.558075-76
Barcode 636943807521
Veröffentlichungsdatum 14.10.2002
Kategorie Hörbücher
Label Naxos
Format CD + Buch
Anzahl an Tonträgern 2
Interpreten
Komponisten Schubert, Franz
Siepmann, Jeremy
Künstler Siepmann, Jeremy
CD: 1
1 Introduction, origins 01:39 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
2 Imagery, analogy and the shape of the things to co 01:50 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
3 The unusual presence of the double-bass 00:54 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
4 A palette of tone colours and the emergence of a t 00:47 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
5 Trouble getting off the ground, but the key is not 00:49 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
6 Jumping in queue: Schubert takes a lesson from Moz 01:33 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
7 Mozart demonstrates a traditional transition. 00:33 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
8 Destinarion clarified 00:07 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
9 Mozart confirms our arrival. 00:08 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
10 A Schubertian shocker from a later work 00:52 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
11 Rejoining the "Trout"; with a reminder 00:27 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
12 The piano joins the strings with yet a third varia 00:31 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
13 A rhythmic motto: The "triplet motif" 01:26 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
14 We get it here. 00:17 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
15 We get it there. 00:17 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
16 We find it everywhere, even in the double-bass. 00:27 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
17 The strings' answer to the piano's opening flouris 00:36 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
18 The two-part structure of the "answering motif"... 00:24 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
19 ... but scarcerely ever the same way twice 00:34 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
20 The piano and strings now share the material for t 00:42 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
21 Conversation as the first principle of chamber mus 00:43 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
22 Opening (indrocutory) section heard complete 01:01 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
23 The violin and double-bass in partnership 01:16 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
24 The violin and piano swap roles. 00:59 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
25 Transition to second main theme; triplets now ever 01:12 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
26 On the threshold of the new theme 00:30 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
27 Second main theme (a "love duet"), shared by cello 01:24 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
28 The abandonment of octaves in the piano changes th 01:07 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
29 A surprising change of tone and a premonition 00:39 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
30 A return to lyricism, but the cello jumps the gun 00:37 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
31 A buoyant, skipping new theme is given to the solo 00:36 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
32 Re-entry of the strings as the violin takes up the 00:25 Siepmann, Jeremy
33 A transitional theme, and another Schubertian key- 01:33 Siepmann, Jeremy
34 We sense the imminent arrival of the closing theme 01:31 Siepmann, Jeremy
35 A sudden, hushed key-change introduces part two of 00:40 Siepmann, Jeremy
36 The exposition comes to an end. 00:32 Siepmann, Jeremy
37 Cue to complete exposition 00:06 Siepmann, Jeremy
38 Music: Exposition complete 04:09 Siepmann, Jeremy
39 Introduction to the development; the genetic code 07:20 Siepmann, Jeremy
40 The contrasting aural properties of piano and viol 01:03 Siepmann, Jeremy
41 The ponderous double-bass is deatured in the first 00:49 Siepmann, Jeremy
42 The strings are liberated from servitude, but are 00:42 Siepmann, Jeremy
43 A joyful conversation and a change of pace in the 01:06 Siepmann, Jeremy
44 The piano takes the melodic lead again. 00:31 Siepmann, Jeremy
45 A conversation between violin and piano leads to t 01:20 Siepmann, Jeremy
46 ... But Schubert gets it "wrong". 01:35 Siepmann, Jeremy
47 Music: First movement (Complete) 09:09 Siepmann, Jeremy
48 Introduction to second movement 01:53 Siepmann, Jeremy
49 The violin now takes theme one. 00:29 Siepmann, Jeremy
50 The piano regains the theme. 00:42 Siepmann, Jeremy
51 The violin and piano round off first section with 00:35 Siepmann, Jeremy
52 A major change of tone: A passing cloud and a dark 01:19 Siepmann, Jeremy
53 The piano abandons its octaves, but not its triple 01:28 Siepmann, Jeremy
54 The Sun returns with a new theme, in two contrasti 01:21 Siepmann, Jeremy
55 An evaporating dialogue between violin and piano 00:58 Siepmann, Jeremy
56 A major mood change as twilight falls 01:12 Siepmann, Jeremy
57 Cue to whole movement 00:33 Siepmann, Jeremy
58 Music: Second movement (Complete) 07:30 Siepmann, Jeremy
CD: 2
1 Introduction to the Scherzo - and a clear four-bar 01:37 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
2 ... "Answered" by two two-bar phrases 00:21 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
3 A disconcerting "echo" 01:02 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
4 Expectation, frustration and surprise 00:27 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
5 The phrase lenght expands from nine to fourteen ba 00:36 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
6 The beginning of the second half... 01:07 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
7 ... Or should it go from g minor to D major? 00:08 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
8 Doubts are sown as the tonality becomes elusive. 00:48 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
9 A varied reprise of part one, and the end of the S 00:33 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
10 A conversational start to the Trio section 00:40 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
11 Another Schubertian phrase extension 00:25 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
12 Two overlapping phrases add up to a single theme. 00:22 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
13 The piano adds a third phrase to the overlap. 00:32 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
14 The overlaps continue as the key drifts downwards. 00:36 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
15 Another Schubertian key-jump, now to B flat 00:45 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
16 A dramatic transformation of mood 00:52 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
17 Awakening from a dream: The main theme's return 00:51 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
18 Cue to complete Scherzo 00:11 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
19 Music: Third movement (Complete) 03:52 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
20 Enter the trout, at last; a meeting with the origi 00:30 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
21 Music: "Die Forelle" 01:59 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
22 Back to the Quintet: The strings, headed by the vi 01:24 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
23 The first variation 01:41 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
24 The second variation 01:14 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
25 The third variation 01:20 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
26 The fourth variation, part one 01:33 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
27 The fourth variation, part two 00:57 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
28 The fifth variation 02:45 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
29 The final variation, part one: Violin and piano al 00:31 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
30 The final variation, part two: The cello takes the 00:25 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
31 The final variation, part three: Piano and violin 00:25 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
32 The final variation, part four: ... As do the viol 00:17 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
33 The final variation, part five: The entire ensembl 00:39 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
34 Music: Fourth movement (Complete) 07:09 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
35 Introduction to the finale: Schubert as wizard of 02:17 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
36 Easily overlooked: The accompaniment from cello an 00:36 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
37 Contrasts of timbre and register 00:59 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
38 A repetition, and yet not a repetition 00:07 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
39 A journey begun; the phenomenon of musical gravity 00:22 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
40 The journey completed 00:16 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
41 The source of musical gravity 00:22 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
42 Music: Saint-Saëns - The Carnival of the Animals " 00:28 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
43 A scale of shifting tensions 00:49 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
44 Music: Beethoven, Symphony No. 1 (Finale) 00:37 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
45 Back to Schubert 00:39 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
46 The piano embellishes a scalewise descent. 00:18 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
47 A retrospective moment 00:33 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
48 Repetition more apparent than real 01:02 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
49 A taste of phrase rhythm 01:26 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
50 Shifting patterns of accentuation 00:27 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
51 The section reviewed 00:15 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
52 An increasingly sophisticated texture as parts int 00:46 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
53 More phrase rhythm 00:29 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
54 A repetition from the strings... 00:11 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
55 ... And an answer from the piano 00:13 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
56 In transition to the secondary key 00:51 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
57 The origin of the second theme 00:19 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
58 The second main theme 00:38 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
59 The closing section begins, with a question answer 00:42 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
60 The question repeated, a slightly different answer 00:28 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
61 First theme of closing section reviewed 00:59 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
62 Remembrance of things past 00:28 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
63 The piano and strings argue over the harmony. 01:13 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
64 Emergence of the final theme 00:24 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
65 An unecpected thunderstorm 00:51 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
66 The sound of silence 01:29 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
67 Cue to complete finale 01:00 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
68 Music: Finale (Complete) 06:47 Siepmann, Jeremy Schubert, Franz Siepmann, Jeremy
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